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The earliest complex art in Japan was produced in the 7th and 8th centuries in connection with Buddhism.

In the 9th century, as the Japanese began to turn away from China and develop indigenous forms of expression, the secular arts became increasingly important; until the late 15th century, both religious and secular arts flourished.

Painting is the preferred artistic expression in Japan, practiced by amateurs and professionals alike.

Until modern times, the Japanese wrote with a brush rather than a pen, and their familiarity with brush techniques has made them particularly sensitive to the values and aesthetics of painting.

Japan has been subject to sudden invasions of new and alien ideas followed by long periods of minimal contact with the outside world.

Over time the Japanese developed the ability to absorb, imitate, and finally assimilate those elements of foreign culture that complemented their aesthetic preferences.

Japanese ceramics are among the finest in the world and include the earliest known artifacts of their culture. 300 BC), named for the cord markings that decorated the surfaces of their clay vessels, were nomadic hunter-gatherers who later practiced organized farming and built cities with populations of hundreds if not thousands.

In architecture, Japanese preferences for natural materials and an interaction of interior and exterior space are clearly expressed. They built simple houses of wood and thatch set into shallow earthen pits to provide warmth from the soil.


It has a long history, ranging from the beginnings of human habitation in Japan, sometime in the 10th millennium BC, to the present.

They crafted lavishly decorated pottery storage vessels, clay figurines called dogū, and crystal jewels.


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